Tag Archives: The Finite Canvas by Brit Mandelo

Magpie Monday

Posted on 10 December 2012 by Robert

“I wonder if the snow loves the trees and fields, that it kisses them so gently? And then it covers them up snug, you know, with a white quilt; and perhaps it says ‘Go to sleep, darlings, till the summer … Continue reading →

Posted in About Writing, Magpie Monday | Tagged A Krampus Carol, A.S. Byatt, Adam Mills, Adrian Garcia, advent, Alan Moore, Aliya Tarmo, Alone by Siegfried Sassoon, Alton Brown, Andrew Gilstrap, Anthony Bourdain, Ariel, art (Victorian), Barry Dwight Steel Rodger, Bittersweet Romance of Leaves and Snow by Erin Morgenstern, Boing Boing, book shelves, bookcases, Borden eggnog, brokeback poses (superheroines), Brom, Chuck Wendig, comas, comic-book covers, Daily Science Fiction, Dave McKean, Deerskin by Robin McKinley, Domythic Bliss, dracunculiasis, druids, Druids Cutting Mistletoe on the Sixth Day of the Moon (c. 1890), Edward & Amelia vs The Vampire King, eggnog (history), Elizabeth Hand, eschatology, Fables, Fearnet, flax-golden tales, French Foreign Legion, Gabriel by Adrienne Rich, Geena Davis Institute on Gender in Media, gingerbread (sci-fi), Gingerhaze, Hans Christian Andersen, Hanukkah, Henri Paul Motte, Hero4Hire Creative, heteropaternal superfecundation, home libraries (design), Ian McEwan, Ideomancer, Introverts, io9, James Joyce, Jodi Harvey-Brown, Joel Robinson, Juan Santapau, Justin Simon, Karen Berger, Kirsty Stonell Walker, Krampus, Krampus: The Yule Lord, Krissy Brady, latke-hamentash debate, LCD contact lenses, Lewis Carroll, Lindsay Small-Butera, Lindsey Mann, LitReactor, Live-Tweeting the Apocalypse by Ian Creasey, magic tricks, Marie Chapmen, Maya, Mean Geimhridh, Megan Hotz, MiracleMech by Tim Deans, mistletoe, Nancy Alsop, Neil Gaiman, Netflix, Nicholas Humphries, nitrous oxide, novella, Prophet Hen of Leeds, PSAs, Psylocke, pupils (dilation), Rajan Khanna, Ray Bradbury Square, Russell Hinson, Saint Nicholas, Sally Franckowiak, Samantha Jewell, Santa Claus, See Jane, Shattered Amber by Mari Ness, sickles, Silas House, space (darkness), Su Blackwell, sunlight (weight), Swordspoint by Ellen Kushner, taboos in speculative fiction, Tansy Rayner Roberts, The Artist in the Tower by Adam Mills, The Brief, The Dark Is Rising by Susan Cooper, The Dead, The Engine of Desire by Livia Llewellyn, The Finite Canvas by Brit Mandelo, The Great Alan Moore Reread, The Hawkeye Initiative, The Kissed Mouth, The League, The Left Hand of Darkness by Ursula K. Le Guin, The Lion the Witch and the Wardrobe by C.S. Lewis, The Little Mermaid, The Magic of Christmas: An Advent Calendar of Fantasy Fiction, The Perfect Match by Ken Liu, The Rise of Ransom City (excerpt) by Felix Gilman, The Sandman, The Secret Knots, The Show Must by Matt London, Three Panels Open, Through the Looking-Glass, Tim Callahan, Tom Gauld, Tom O'Bedlam, Tor.com, Travis Price Architects, typography (kinetic), Ulysses, Under a Sky of Knives by Michelle Muenzler, Vancouver Film School, Vertigo Comics, Vylar Kaftan, Warren Ellis, Weird Fiction Review, werewolves (historic), Where the Wonder Women Are, Will Ludwigsen, writer's block, writing routines, Yann Frisch | Comments Off

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"How should we be able to forget those ancient myths that are at the beginning of all peoples, the myths about dragons that at the last moment turn into princesses; perhaps all the dragons of our lives are princesses who are only waiting to see us once beautiful and brave. Perhaps everything terrible is in its deepest being something helpless that wants help from us.” ~Rainer Maria Rilke, Letters to a Young Poet, trans. M.D. Herter Norton

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Tag Archives: The Finite Canvas by Brit Mandelo

Magpie Monday

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