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Tag Archives: Lewis Carroll
Magpie Monday
“I wonder if the snow loves the trees and fields, that it kisses them so gently? And then it covers them up snug, you know, with a white quilt; and perhaps it says ‘Go to sleep, darlings, till the summer … Continue reading →
Posted in About Writing, Magpie Monday
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Tagged A Krampus Carol, A.S. Byatt, Adam Mills, Adrian Garcia, advent, Alan Moore, Aliya Tarmo, Alone by Siegfried Sassoon, Alton Brown, Andrew Gilstrap, Anthony Bourdain, Ariel, art (Victorian), Barry Dwight Steel Rodger, Bittersweet Romance of Leaves and Snow by Erin Morgenstern, Boing Boing, book shelves, bookcases, Borden eggnog, brokeback poses (superheroines), Brom, Chuck Wendig, comas, comic-book covers, Daily Science Fiction, Dave McKean, Deerskin by Robin McKinley, Domythic Bliss, dracunculiasis, druids, Druids Cutting Mistletoe on the Sixth Day of the Moon (c. 1890), Edward & Amelia vs The Vampire King, eggnog (history), Elizabeth Hand, eschatology, Fables, Fearnet, flax-golden tales, French Foreign Legion, Gabriel by Adrienne Rich, Geena Davis Institute on Gender in Media, gingerbread (sci-fi), Gingerhaze, Hans Christian Andersen, Hanukkah, Henri Paul Motte, Hero4Hire Creative, heteropaternal superfecundation, home libraries (design), Ian McEwan, Ideomancer, Introverts, io9, James Joyce, Jodi Harvey-Brown, Joel Robinson, Juan Santapau, Justin Simon, Karen Berger, Kirsty Stonell Walker, Krampus, Krampus: The Yule Lord, Krissy Brady, latke-hamentash debate, LCD contact lenses, Lewis Carroll, Lindsay Small-Butera, Lindsey Mann, LitReactor, Live-Tweeting the Apocalypse by Ian Creasey, magic tricks, Marie Chapmen, Maya, Mean Geimhridh, Megan Hotz, MiracleMech by Tim Deans, mistletoe, Nancy Alsop, Neil Gaiman, Netflix, Nicholas Humphries, nitrous oxide, novella, Prophet Hen of Leeds, PSAs, Psylocke, pupils (dilation), Rajan Khanna, Ray Bradbury Square, Russell Hinson, Saint Nicholas, Sally Franckowiak, Samantha Jewell, Santa Claus, See Jane, Shattered Amber by Mari Ness, sickles, Silas House, space (darkness), Su Blackwell, sunlight (weight), Swordspoint by Ellen Kushner, taboos in speculative fiction, Tansy Rayner Roberts, The Artist in the Tower by Adam Mills, The Brief, The Dark Is Rising by Susan Cooper, The Dead, The Engine of Desire by Livia Llewellyn, The Finite Canvas by Brit Mandelo, The Great Alan Moore Reread, The Hawkeye Initiative, The Kissed Mouth, The League, The Left Hand of Darkness by Ursula K. Le Guin, The Lion the Witch and the Wardrobe by C.S. Lewis, The Little Mermaid, The Magic of Christmas: An Advent Calendar of Fantasy Fiction, The Perfect Match by Ken Liu, The Rise of Ransom City (excerpt) by Felix Gilman, The Sandman, The Secret Knots, The Show Must by Matt London, Three Panels Open, Through the Looking-Glass, Tim Callahan, Tom Gauld, Tom O'Bedlam, Tor.com, Travis Price Architects, typography (kinetic), Ulysses, Under a Sky of Knives by Michelle Muenzler, Vancouver Film School, Vertigo Comics, Vylar Kaftan, Warren Ellis, Weird Fiction Review, werewolves (historic), Where the Wonder Women Are, Will Ludwigsen, writer's block, writing routines, Yann Frisch
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Magpie Monday
Here are some shiny things that caught my eye recently: ♦ This week’s book news: Steve Almond at Salon.com posted an interesting article about how independent bookstores are battling Amazon by becoming publishers. I’m a big fan of small presses, … Continue reading →
Posted in Magpie Monday
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Tagged Amanda Palmer, Anton Semenov, artist-entrepreneur, Charles Addams, Chet Phillips, Chuck Wendig, David Lynch, e-books, Ed Brubaker, Fatale, John Barrowman, Kevin St. Jarre, Lewis Carroll, Louis CK, Markus Reugels, Marnie Dresser, Morticia Addams, Order of Nefarious Villains, Ronnie Rocket, Sean Phillips, Sol Sallee, Spider-Man theme song, Steve Almond, The Addams Family, The Fantastic, Theodora Goss, Tzvetan Todorov, Union of Superlative Heroes, Warren Ellis, Why is a raven like a writing desk?, Wonder Woman theme song
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Lewis Carroll’s Alice in Wonderland
I’ve always had somewhat mixed feelings about Alice in Wonderland, which might be considered odd given that I own at least seven different editions, including the Norton Critical Edition (1992; all quotations to follow are taken from this text). I … Continue reading →
Posted in About Writing, Criticism & Reviews
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Tagged Alice in Wonderland, Lewis Carroll
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