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Tag Archives: Psylocke
Magpie Monday
“Darkness cannot put out darkness; only light can do that…. [H]ate is too great a burden to bear. I have decided to love.” ~Martin Luther King, Jr. Also: “This whole world is wild at heart and weird on top.” ~David … Continue reading →
Posted in Magpie Monday
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Tagged Alan Moore, albino peacock, An Exaltation of Larks, Angora rabbit, Apollo Robbins, banana ice cream, battle (writing), book shelves, bookcases, Brian Wood, Cameron Cook, Casting Call by Alexandra Grunberg, Cathy Day, Chuck Wendig, Classic Double Challenge 2013, Claudia Noble, coffee, Colby Marshall, collective nouns, Colleen Doran, D.B. Cooper, Daily Science Fiction, David Lynch, DC Women Kicking Ass, Deep Down by Deborah Coates, Diesel Reviews the World, dollhouse in a guitar, Downsizing Pluto by Shane Halbach, echidna, edible packaging, Edward & Amelia vs The Vampire King, Elizabeth Hand, Eric Standley, Ernest Hemingway, Fairy Meadows Miniatures, film trailers, Fisher Space Pen, flax-golden tales, folklore (Japanese), free will, glittens, Golden Globes 2013, Grant Snider, greng-jai, Helen Mirren, Hi-Fructose, Hydnellum peckii, illusion, In Search Of (TV show), In Search Of and Others, io9, Isaac Cordal, Jodie Foster, Jubilee, Kitty Pryde, koi no yokan, Lena Dunham, Leonard Nimoy, Lethe Press, libraries, London Underground, Magic & Good Madness: A Neil Gaiman Reread, Malissa Kent, Marilyn Monroe, Marnie Bullock Dresser, Martin Luther King Jr., Michele Catalano, miniatures, Misty Knight, Myke Cole, near-lightspeed travel, Neil Gaiman, Night Shade Books, No Return, Oliver Coipel, One-Horned & Wild-Eyed by Manual Gonzales, PegaPop, phantom limbs, pickpockets, PoL Úbeda Hervàs, Preludes and Nocturnes, procrastination (positive), psychics, Psylocke, Publishers Weekly, Quantum Entanglement by Rajan Khanna, Rachel Grey, Rachelle Gardner, Rebel Angels by Michele Lang, Red 2 (trailer), rejection, rejection letters, Robbie Trevino, Rogue (X-Men), Russell Hinson, Safo Sofa, seahorse, Searching for Sugar Man, Shadowhawk, shampoo and physics, Shane Carruth, She-Hulk, Slitten Gorge by Conrad Williams, social media marketing, Star Trek (evolution), Star Trek: The Next Generation, Storm (X-Men), strawberries and cream, The Beastmaster (film), the bleeding tooth fungus, the Devil's tooth, The Fearless Defenders, The Great Alan Moore Reread, The Light at the Edge of the World by Erin Morgenstern, The Miniature Wife, the red-juice tooth, The Remnant by Cassie Beasley, The Robin Hood Foundation (Library Initiative), The Sandman, The Simpsons, The Smithsonian, The Super Team Family Blog, The Winter Witch by Paula Brackston, The Witch's Daughter by Paula Brackston, The Wyrd for Water is Water by Marie Croke, Thomas Barbèy, Tim Callahan, Tor.com, Tunguska Event, Twitter, Upstream Color (trailer), Valkyrie, vampires, warfare (writing), Weird Fiction Review, When We Were Heroes by Daniel Abraham, Will Ludwigsen, winged devourers, Wonder Woman, Wool by Hugh Howey, writing (by hand), writing (dialogue), X-Men, Zachary Jernigan, Zack Kopplin, Ze Frank
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Magpie Monday
“I wonder if the snow loves the trees and fields, that it kisses them so gently? And then it covers them up snug, you know, with a white quilt; and perhaps it says ‘Go to sleep, darlings, till the summer … Continue reading →
Posted in About Writing, Magpie Monday
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Tagged A Krampus Carol, A.S. Byatt, Adam Mills, Adrian Garcia, advent, Alan Moore, Aliya Tarmo, Alone by Siegfried Sassoon, Alton Brown, Andrew Gilstrap, Anthony Bourdain, Ariel, art (Victorian), Barry Dwight Steel Rodger, Bittersweet Romance of Leaves and Snow by Erin Morgenstern, Boing Boing, book shelves, bookcases, Borden eggnog, brokeback poses (superheroines), Brom, Chuck Wendig, comas, comic-book covers, Daily Science Fiction, Dave McKean, Deerskin by Robin McKinley, Domythic Bliss, dracunculiasis, druids, Druids Cutting Mistletoe on the Sixth Day of the Moon (c. 1890), Edward & Amelia vs The Vampire King, eggnog (history), Elizabeth Hand, eschatology, Fables, Fearnet, flax-golden tales, French Foreign Legion, Gabriel by Adrienne Rich, Geena Davis Institute on Gender in Media, gingerbread (sci-fi), Gingerhaze, Hans Christian Andersen, Hanukkah, Henri Paul Motte, Hero4Hire Creative, heteropaternal superfecundation, home libraries (design), Ian McEwan, Ideomancer, Introverts, io9, James Joyce, Jodi Harvey-Brown, Joel Robinson, Juan Santapau, Justin Simon, Karen Berger, Kirsty Stonell Walker, Krampus, Krampus: The Yule Lord, Krissy Brady, latke-hamentash debate, LCD contact lenses, Lewis Carroll, Lindsay Small-Butera, Lindsey Mann, LitReactor, Live-Tweeting the Apocalypse by Ian Creasey, magic tricks, Marie Chapmen, Maya, Mean Geimhridh, Megan Hotz, MiracleMech by Tim Deans, mistletoe, Nancy Alsop, Neil Gaiman, Netflix, Nicholas Humphries, nitrous oxide, novella, Prophet Hen of Leeds, PSAs, Psylocke, pupils (dilation), Rajan Khanna, Ray Bradbury Square, Russell Hinson, Saint Nicholas, Sally Franckowiak, Samantha Jewell, Santa Claus, See Jane, Shattered Amber by Mari Ness, sickles, Silas House, space (darkness), Su Blackwell, sunlight (weight), Swordspoint by Ellen Kushner, taboos in speculative fiction, Tansy Rayner Roberts, The Artist in the Tower by Adam Mills, The Brief, The Dark Is Rising by Susan Cooper, The Dead, The Engine of Desire by Livia Llewellyn, The Finite Canvas by Brit Mandelo, The Great Alan Moore Reread, The Hawkeye Initiative, The Kissed Mouth, The League, The Left Hand of Darkness by Ursula K. Le Guin, The Lion the Witch and the Wardrobe by C.S. Lewis, The Little Mermaid, The Magic of Christmas: An Advent Calendar of Fantasy Fiction, The Perfect Match by Ken Liu, The Rise of Ransom City (excerpt) by Felix Gilman, The Sandman, The Secret Knots, The Show Must by Matt London, Three Panels Open, Through the Looking-Glass, Tim Callahan, Tom Gauld, Tom O'Bedlam, Tor.com, Travis Price Architects, typography (kinetic), Ulysses, Under a Sky of Knives by Michelle Muenzler, Vancouver Film School, Vertigo Comics, Vylar Kaftan, Warren Ellis, Weird Fiction Review, werewolves (historic), Where the Wonder Women Are, Will Ludwigsen, writer's block, writing routines, Yann Frisch
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