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Tag Archives: magic tricks
Magpie Monday
“I wonder if the snow loves the trees and fields, that it kisses them so gently? And then it covers them up snug, you know, with a white quilt; and perhaps it says ‘Go to sleep, darlings, till the summer … Continue reading →
Posted in About Writing, Magpie Monday
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Tagged A Krampus Carol, A.S. Byatt, Adam Mills, Adrian Garcia, advent, Alan Moore, Aliya Tarmo, Alone by Siegfried Sassoon, Alton Brown, Andrew Gilstrap, Anthony Bourdain, Ariel, art (Victorian), Barry Dwight Steel Rodger, Bittersweet Romance of Leaves and Snow by Erin Morgenstern, Boing Boing, book shelves, bookcases, Borden eggnog, brokeback poses (superheroines), Brom, Chuck Wendig, comas, comic-book covers, Daily Science Fiction, Dave McKean, Deerskin by Robin McKinley, Domythic Bliss, dracunculiasis, druids, Druids Cutting Mistletoe on the Sixth Day of the Moon (c. 1890), Edward & Amelia vs The Vampire King, eggnog (history), Elizabeth Hand, eschatology, Fables, Fearnet, flax-golden tales, French Foreign Legion, Gabriel by Adrienne Rich, Geena Davis Institute on Gender in Media, gingerbread (sci-fi), Gingerhaze, Hans Christian Andersen, Hanukkah, Henri Paul Motte, Hero4Hire Creative, heteropaternal superfecundation, home libraries (design), Ian McEwan, Ideomancer, Introverts, io9, James Joyce, Jodi Harvey-Brown, Joel Robinson, Juan Santapau, Justin Simon, Karen Berger, Kirsty Stonell Walker, Krampus, Krampus: The Yule Lord, Krissy Brady, latke-hamentash debate, LCD contact lenses, Lewis Carroll, Lindsay Small-Butera, Lindsey Mann, LitReactor, Live-Tweeting the Apocalypse by Ian Creasey, magic tricks, Marie Chapmen, Maya, Mean Geimhridh, Megan Hotz, MiracleMech by Tim Deans, mistletoe, Nancy Alsop, Neil Gaiman, Netflix, Nicholas Humphries, nitrous oxide, novella, Prophet Hen of Leeds, PSAs, Psylocke, pupils (dilation), Rajan Khanna, Ray Bradbury Square, Russell Hinson, Saint Nicholas, Sally Franckowiak, Samantha Jewell, Santa Claus, See Jane, Shattered Amber by Mari Ness, sickles, Silas House, space (darkness), Su Blackwell, sunlight (weight), Swordspoint by Ellen Kushner, taboos in speculative fiction, Tansy Rayner Roberts, The Artist in the Tower by Adam Mills, The Brief, The Dark Is Rising by Susan Cooper, The Dead, The Engine of Desire by Livia Llewellyn, The Finite Canvas by Brit Mandelo, The Great Alan Moore Reread, The Hawkeye Initiative, The Kissed Mouth, The League, The Left Hand of Darkness by Ursula K. Le Guin, The Lion the Witch and the Wardrobe by C.S. Lewis, The Little Mermaid, The Magic of Christmas: An Advent Calendar of Fantasy Fiction, The Perfect Match by Ken Liu, The Rise of Ransom City (excerpt) by Felix Gilman, The Sandman, The Secret Knots, The Show Must by Matt London, Three Panels Open, Through the Looking-Glass, Tim Callahan, Tom Gauld, Tom O'Bedlam, Tor.com, Travis Price Architects, typography (kinetic), Ulysses, Under a Sky of Knives by Michelle Muenzler, Vancouver Film School, Vertigo Comics, Vylar Kaftan, Warren Ellis, Weird Fiction Review, werewolves (historic), Where the Wonder Women Are, Will Ludwigsen, writer's block, writing routines, Yann Frisch
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Magpie Monday
“He is outside of everything, and alien everywhere. He is an aesthetic solitary. His beautiful, light imagination is the wing that on the autumn evening just brushes the dusky window.” ~Henry James Here are some shiny things that caught my eye … Continue reading →
Posted in About Writing, Fairy Tales, Magpie Monday
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Tagged Action Comics #431, Akihiro Yanai, All Hallow's Read, AlphaBooks, alternative history (ideas), American English vs. British English, animation, anthologies, Audible.com, Axel Medellin Machain, Barbarann Garrand, Beauty and the Beast, Ben Towle, Bluebeard Tales from Around the World, blushing, Bram Stoker, Buffy the Vampire Slayer, Buttersafe, cake, Cameron Cook, candy (Hallowe'en), Captain America, Chris Dugas, Chuck Wendig, Click-Clack the Rattlebag by Neil Gaiman, contact juggling, Coraline, Cthulu, Daily Science Fiction, David B. Coe, DC Women Kicking Ass, Don't bore Nina!, Dracula, Emily Carroll, Evil Dead II (1987), Fairy Tales for Twenty-Somethings, fairy-tale films, False Positive, film trailers, flax-golden tales, folie à deux, Frankenstorm, Frozen (Disney), Gabriela Pereira, Ghosts in the Machines by Neil Gaiman, Gizmo, Grant Snider, Gremlins, Halloween II (2009), Hansel & Gretel, Heidi Anne Heiner, Henry James, His Face All Red by Emily Carroll, horror fiction, horror films, Hush, intestinal microbiota transplantation, jack-o'-lanterns, Jane Sprague, Jeremy Enecio, Jon Neill, Leah Palmer Preiss, Leite's Culinaria, London fog, Long Fingers in Dark Shadows by Erin Morgenstern, magic tricks, Marc Basile, microbiology, Mike Walton, monsters (Jewish), monsters (North American), monsters (sexy), My Mistress's Sparrow Is Dead, My Mother's Body by Christie Yant, Neil Gaiman, neuroscience, objective correlative, Obscurus Lupa, P. Craig Russell, Paranormal Activity, personal essay, Phone Booth by Holli Mintzer, placebo effect, portal fantasy, premenstrual syndrome, Project Runway, psychopathy, pumpkin carving, pumpkins, Ray Villafane, Rich Ferguson, serial killers, setting, shivers up the spine, Snickers, Snow White, SurLaLune Fairy Tales, Susan J. Morris, teeth, The Cannibal Innkeeper (Romania), The Chosen One by Huston Lowell, The Graveyard Book, The Lonton Lass, The Lord of Rosendal (Sweden), The New Kid Is No Angel by James Valvis, The Newsstand at Mike's Amazing World of Comics, The Nightmare Before Christmas, The Shadowy Third by Ellen Glasgow, The Silk Nightcap, The Snow Queen, The Super Team Family Blog, The Terrible Old Man by H.P. Lovecraft, Thirteen at Table by Lord Dunsany, Thumbelina, Timothy Hooten, Tituba, Tom Gauld, Too Fond by Leanna Renee Hieber, Tor.com, toy collections, trolls, Trophy Wife by Samantha Murray, Troy Jensen, Walter Mitty, webcomics, Weird Fiction Review, Who Could That Be At This Hour? by Lemony Snicket, Wicked Witch of the West, Wide Open by Deborah Coates, Wilhelmina "Mina" Murray Harker, Willy Wonka, Wizart Animation, Wonder Woman, writing prompts, you (plural), zombies
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