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Tag Archives: free indirect discourse
Magpie Monday
Here are some shiny things that caught my eye recently: ♦ Prior to seeing the image below on Terri Windling’s blog, I’d never heard of Kelly Louise Judd before. How is that possible? Her work is exquisite and reminds me … Continue reading →
Posted in About Writing, Magpie Monday
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Tagged "Tequila" Yuen, AlphaBooks, Andrew Wheeler, animation, Beasts of the Southern Wild, Beautiful Evidence, Ben Towl, Bill and Ted, Birds and Birthdays, Bookshop Santa Cruz, Brian Azzarello, China Miéville, Chris Bird, Christopher Barzak, Cloudburst by Thomas Allen, cosplay, costumes, cremation, Dana Scully, Dante and Virgil in Hell by William Adolphe Bouguereau, Darren Criss, Davinder Brar, dolls, Edward Scissorhands, Endymion by Roz Kaveney, Espresso Book Machine, film trailers, Fire, Fox Mulder, free indirect discourse, Harry Potter, Joe Hill, John Byrne, Justice League, Justine Larbalestier, Kelly Louise Judd, Kingdom Come, know what you write, Leonora Carrington, magic realism, magic systems, magical-realist films, Marc Basile, Mary Robinette Kowal, Nancy Downs (The Craft), Nancy Drew, Neil Armstrong (1930-2012), Neil Gaiman, Perched by Kelly Louise Judd, poetry (found), Portrait of Lisane de Patagnia by Rachel Swirsky, Remedios Varo, Roz Kaveney, Rufus, school lunch, Song of the Sea, spontaneous combustion, Stardust by Neil Gaiman, Steve McQueen, Stray Books by Grant Snider, stress and genes, Superman, Surrounded by the Mutant Rain Forest by Bruce Boston, Swan Bones Theater, Tansy Rayner Roberts, Terri Windling-Gayton, Th Dark Knight Strikes Again, The Corinthian, The League of Extraordinary Gentlepersons 1996, The Mafra National Palace library in Mafra Portugal, The Sandman, The Secret of Kells, The Watchmaker's Wife by Lydia S. Gray, Thomas Allen, Tom Gauld, Under the Tree by Tania Hershman, Where the Wonder Women Are, Wonder Woman, Wonder Woman (villains), writing (process), Zach Morris (sociopath)
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