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Tag Archives: Dominique Whitten
Magpie Monday
Monday morning has broken, like the first morning Magpie has spoken, like the first bird* Welcome to another week-long Magpie Monday fest (well, Friday is only Video Friday, but a week full of posts!). Please to enjoy these dainty dishes … Continue reading →
Posted in About Writing, Magpie Monday
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Tagged A Series of Unfortunate Events, Alice Munro, Ampisound, Amy Winfrey, Andi Smith, Apex Magazine, armor, Benjamin Roy Lambert, bonsai trees, book shelves, bookcases, Brit Mandelo, Cat Stevens, Catherynne M. Valente, Cathy Day, Christopher Barzak, Colin Heck, Convos with My 2-Year Old, Daily Science Fiction, Dale Irby, Damien Walters Grintalis, Das ist mir Wurst (This is sausage to me), Dave Waite, Derrick Brown, Dominique Whitten, Edward & Amelia vs The Vampire King, Erin Morgenstern, female power, first-draft maps, flax-golden tales, Georgina Bruce, Gloria Bigelow, Grant Lyon, Grant Snider, Haikus of Regret, Henrietta Bean, io9, It Gets Better, It Gets Worse, J.D. Hancock, J.T. Howard, James Kingston, Jane Yolen, Jaym Gates, Kate Lebo, Ken To, Lady Snowblood, Lee Hallison, Letters of Note, Lightspeed, Liz Belsky, Louise Richardson, Marly Youmans, Marnie Bullock Dresser, Maureen McGovern, Nathan Ballingrud, Neil Gaiman, neo-noir fiction, Nightmare Magazine, ninjas, parkour, PetaPixel, Poets & Writers, readings, Richard Burton, Rusell Hinson, Samuel Bean, samurai, Sarah Monette, social media, Stephen P. Kiernan, Steve Grand, Susanna Bean, Sydney Smith, Terri Windling-Gayton, The Goblin Market, The Lord of the Rings Online, The Mary Sue, The Nymphs, The Ocean at the End of the Lane, The Puzzle Tombstone, Tina Fey, Tom Gauld, Tommy James & The Shondells, Tor.com, Usman T. Malik, vercingertorix09, Violet Baudelaire, Wanda Sykes, Weird Fiction Review, Wesley Burt, Will Ludwigsen, William Shakespeare
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