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Tag Archives: Christopher Barzak
Magpie Monday
Here are some shiny things that caught my eye recently: ♦ Whoa: Rob Mulholland created this installation to explore “the essence of who we are as individuals in relationship to others and our given environment.” These mirrored figures (six in … Continue reading →
Posted in Magpie Monday
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Tagged A Brief History of Monsters, A Visit from the Goon Squad, Alessandro Bavari, Alessandro Ferraro, Alessio Morglia, American Libraries, Annie Murphy Paul, Arthurian legends, Brian Azzarello, card catalog, Cartoon Network, Charles de Lint, Charlie Jane Anders, China Miéville, Chretien de Troyes, Christopher Barzak, Chuck Wendig, comics, creativity, DC Nation Shorts, Dial H for Hero, Elizabeth Spann Craig, Fantasy Art Now, Green Lantern: The Animated Series, Helena Bonham Carter, Interfictions Zero, International Conference on the Fantastic in the Arts, James Morrow, Jane Yolen, Jeanette Winterson, Jennifer Egan, Jennifer Miller, John Baer, John Steinbeck, Kit Steinkeller, Lauren Faust, libraries, literary magazines, Mercedes Lackey, Neil Gaiman, neuroscience, Neverwhere, Nick Ripatrazone, Organization, Out of Body, Raymond Carver, reading, Rob Mulholland, Sherwood Anderson, Small Notebook, Super Best Friends Forever, The Hanging Garden, The Palencar Project, Theodora Goss, Thomas Malory, throughline, Track Changes, Twelve Days of Monsters, Wallace Yovetich, Weird Fiction Review, William Randolph Hearst, Winesburg Ohio, Wonder Woman, writing, Young Justice
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Christopher Barzak’s The Love We Share Without Knowing
I’d selected The Love We Share Without Knowing by Christopher Barzak (Bantam, 2008; all quotations are taken from this edition) to examine because I wanted to see how he handled the structural concept of interrelated short stories (or a novel-in-stories), … Continue reading →
Posted in About Writing, Criticism & Reviews
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Tagged Christopher Barzak, novel-in-stories, The Love We Share Without Knowing
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