Passant D’Arthur

The Passing of Arthur by Julia Margaret Cameron

Passant D’Arthur

Robert E. Stutts

Light piercing
the morning clouds
startles me
with its brightness,
so like the wound
in my side that bleeds
onto the brown grass.
Bedivere has left,
and I have not
even Excalibur
to give me comfort now.

The dreamy whisper
of a hand rising
from the Lake,
see the glint
of sun on steel.
It is done now,
and my eyes are too heavy.
I think Morgan has come,
and Vivian, trailed
by that shrouded Other,
their queens’ hands
gentle lullabyes beneath
my rusted armor,
and I am drifting
to Avalon across the sea
in crimson dreams
that are not mine.

Published in A Round Table of Contemporary Arthurian Poetry, 1993
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Sleeping Beauty

Sleeping Beauty

Robert E. Stutts

1
I begin with a pricking
of my finger on a spindle,
a drop of dark blood
dyeing my immaculate thread
a ruddy crimson.
More blood drips onto my lap,
spattering the white frock.
This is the mark
I will carry on my dressings
for that timeless span
of moonless nights.

My mother scolds me,
“Stop the blood,”
and I wrap my finger
with a corner of my frock,
delaying the life
I have just freed.
She pats my knee
and strokes my hair,
“There, there.”
The other girls skip
around the room,
laughing at my misery.

An old woman takes
the spindle from my hand
and wraps the red thread
around my first finger.
Her face sags with wrinkles,
the skin yellow and harsh,
and I do not want to be old.
I say this to myself,
to the woman, to my mother
who scolds me again.
But the older woman smiles,
“It is the Curse.
No woman can break free of it.”
But I can’t listen anymore;
my finger aches
and my eyes are heavy.

2
A bush of thorns
stretches outside my window,
reaching to hide the sun.
Sometimes the sunlight weaves
through the cutting maze
and rests on my lids,
threatening to rouse me.
But I sleep on, dreading
the moondark when my finger
will ache again, and the old
prick will bleed fresh.

The sheets that wrap
around my thighs
and spiral across my breasts
are cool in the sun’s buffered
heat. During the night,
the moon burns the fabric.
I know one day the sheets
will become fire
and I will be caught
by my unkindled necessities.
I do not mind the heat;
the thought of the cooling
frightens me.

Someone will come to me,
hesitating in the darkness
behind my eyes. He will feel
the silken white sheets
that cover my tinted hand,
and I know the blood
will flow again. For a moment
I wish the spindle had never
touched me, but I remember
the dark blood is life;
now it is morning
but I dream still
of needles and threads
and the cloth I will weave.

Published in The Round Table, Fall 1990.
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The Medea Complex

Medea by Evelyn de Morgan

The Medea Complex

Robert E. Stutts

Ruddy scratches across
my thighs where your
lips grazed like sun cattle
on the gray grass of twilight.
You try to whisper,
mouth full of petals
that dry your words,
and I force your lips
apart, so you may thrill me
with your language,
or let me drink
in your sound.
This mattress forever holds
our imprints, vague
shapes of endless nights,
outlines drawn under this quilt.
Never betray the bed
with the sheets dried
in the sunny breezes;
my love will turn
to bitter, burning poison,
and I will not content
myself with making simple patchwork
patterns easily forgotten once
threaded together and thrown
across the bed.

In moonlight I would sculpt
you a new body from clay,
stronger yet bearing
impressions of my fingers
along your ribs.
Each morning I create
you anew, tracing the gentle lines
of your limbs, the arch
of your throat. You go
to the docks, pulling in
and casting out the nets,
bringing home fish,
silver-finned and sleek,
that I will cook in my pot.
The threads of your fisherman’s jersey
are fraying, and the wind bites
at the sun-reddened skin
that shows through.
From an old oaken trunk
I pull over your tousled head
a sweater of golden wool
(it belonged to my grandfather)
that I should rip in two
to please myself in you look
elsewhere when the tide rolls out.

You sit on the couch,
watching me like hunger,
as I dance around
the stove, making stew
from dragons and uncles.
Someday, I will sit,
served by your ambition
as you fumble directionless
in the kitchen,
useless without me
to tell you where
the sage or basil or parsley
is kept in tiny jars.
Beware the dried hemlock
I keep on the windowsill;
I’m saving it for a special dish.
The name is betrayal revenged,
and I will destroy all
remnants of our life
together, murder the mistress,
then the children, and serve them
for you to feast upon.
And when you have finished,
lying bloated and wide-eyed
like the fish you net off the sea,
I shall sit alone, napkin
spread across my lap,
and I will dine on your heart.

Published in Amelia Magazine, 1997
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