Elizabeth Hand’s Saffron & Brimstone

When I read, I generally read for either (a) work or (b) pleasure. I analyze so much of the reading I do for work that when I read for pleasure I try consciously not to analyze too much; I will, however, be prompted by particularly fine writing to start reading it aloud. Elizabeth Hand is one of those writers I tend to read large chunks of aloud—her style always makes me take notice. But I don’t always analyze how she does what she does, so thinking about those kinds of things while I was rereading the stories in Saffron and Brimstone: Strange Stories (M Press, 2006; all quotations taken from this text) was both interesting and more difficult than I thought. Warning: spoilers to follow.

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Matryoshka

My story “Matryoshka” is now live at Scheherezade’s Bequest on Cabinet des Fées. I drew on the German fairy tale “Mother Holle” with a little bit of the Russian witch Baba Yaga thrown in for good measure. Check out the fantastic table of contents of Scheherezade’s Bequest #13 in the sidebar here.

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Brisings

Brisings

Robert E. Stutts

I wore you around my neck
like Freyja’s golden necklace,
a glittering ornament
I kept hidden under
the collar of my flannel shirt,
panicked that someone else
might notice the intricacy
of such craftsmanship
and want to wear you.

But I ignored Loki’s presence—
Mischief marched through my rooms
at midnight, his nimble fingers
a gilded sigh upon
the delicate clasp.
Whispering away from me,
the beads of the necklace
scattered across the floor
into the corner shadows
where not even daylight
could find them.

Published in Starsong, December 1990.
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Fàth Mo Dhuilichinn

Morgan le Fay by John Spencer-Stanhope

Fàth Mo Dhuilichinn*

Robert E. Stutts

“My dear brother, you have stayed too long; I fear that the wound on your head is already cold.”   ~Sir Thomas Malory

Mists settle around his battered
crown, rusted with blood.
The air that morn was cold but not yet bitter,
the field of men’s battles not yet dry.
The lapping of the lake against the rocks
spoke to me, saying Bedwyr had returned
the Sword. He told them that the High King
had gone to Avallach’s Isle
to be healed and sleep and come again.
They believed the knight, for he
saw the barge swallowed by the mists.

Once I wept for the fall to come,
for like Myrrdin I had seen its approach,
creeping like a choking vine
caught on a window sill in the gaze of the sun.
With that knowledge I was armed,
given a sword I sharpened with secrets
and kept hidden in a stolen scabbard,
but I did not know, I did not know
the price we all would pay.

That morn I carried Arthur away,
stroking his hair and caressing
his lips with herbs, I sang him
a lullabye I sang when we were children,
and he, nestled in the crook of my arm,
slept the deepest sleep, deeper than dreams.
I smoothed the sorrow from his face,
silently slipping him beneath
sheets of water, watching enviously
as he nestled in the thick indigo
of her lonely, damp embrace.

*”The cause of my sorrow’ in Gaelic
Published in A Round Table of Contemporary Arthurian Poetry, 1993
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Pasiphaë, Holding the Horns

Robert E. Stutts

Pasiphaë, Holding the Horns

of the froth-white Bull
on the shore, who dipped
his head as if bowing.
She had surged forward
with the tide swirling
around his heavy hooves,
slowly drawing away
thick, wet sand beneath.
A moment’s hesitation,
a cold shudder swimming
through her body,
but when the sea rose
once more to lick at her toes,
silver silk came slipping
from her maidens’ fingers.
The Bull nibbled seed-corn
from her palm, rough
fat tongue dripping
saliva between her fingers.
Along the broad back, deep white
valleys show the tracings
of muscle and sinew,
her fingers cresting like
seafarers across its flanks.
Dark eyes, the heavy
snorting of ocean mist,
cool and fiery against
the backs of her thighs.
She grasped the rounded
gold horns, awaiting
high tide and the shock
of sea foam

Published in 1991 Francis Marion College Writers’ Retreat: Prize Manuscripts, June 1991.
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