When I read, I generally read for either (a) work or (b) pleasure. I analyze so much of the reading I do for work that when I read for pleasure I try consciously not to analyze too much; I will, however, be prompted by particularly fine writing to start reading it aloud. Elizabeth Hand is one of those writers I tend to read large chunks of aloud—her style always makes me take notice. But I don’t always analyze how she does what she does, so thinking about those kinds of things while I was rereading the stories in Saffron and Brimstone: Strange Stories (M Press, 2006; all quotations taken from this text) was both interesting and more difficult than I thought. Warning: spoilers to follow.
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