In fantasy circles, Patricia A. McKillip has long been considered a consummate stylist, and her style has been the main reason I have read thirteen of her novels (with several more to read on my shelf). I was particularly interested in reading McKillip’s Harrowing the Dragon (Ace, 2005; all quotations are taken from this edition), which is her only short-story collection. Her poetic style is well suited to the length of a short novel, pulling readers not only into her imaginary worlds but immersing them in her language. McKillip’s particular style draws on syntax and diction primarily to create its poetry, and these two in turn beget the dreamy, languorous feel that pervades her work, whether novel or short story. Warning: Spoilers to follow.
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