Patricia A. McKillip’s Harrowing the Dragon

In fantasy circles, Patricia A. McKillip has long been considered a consummate stylist, and her style has been the main reason I have read thirteen of her novels (with several more to read on my shelf). I was particularly interested in reading McKillip’s Harrowing the Dragon (Ace, 2005; all quotations are taken from this edition), which is her only short-story collection. Her poetic style is well suited to the length of a short novel, pulling readers not only into her imaginary worlds but immersing them in her language. McKillip’s particular style draws on syntax and diction primarily to create its poetry, and these two in turn beget the dreamy, languorous feel that pervades her work, whether novel or short story. Warning: Spoilers to follow.

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Magpie Monday

Here are some shiny things that caught my eye recently:

♦ My friend Andrea sent me the link to “Late Bloomers” by Malcolm Gladwell over at The New Yorker. A fascinating article! (And one that lifted my over-40 spirits.)

♦ I’d fork over $75 to experience Sleep No More.

♦ Artist Thomas Doyle has a new show at LeBasse Projects in Culver City, CA, called “Surface to Air,” described thus:

With this new exhibition Doyle continues his Distillation series, which explores an uncanny intersection between destruction and domestic life. Doyle sculpts in a small scale to create model worlds that upend the laws and assumptions of our real one. In “Surface to Air,” houses hover safely above their ruined and burnt foundations while soldiers huddle below. A family goes about its business inside a home that has been cleaved in two. A subterranean house juts from the earth, as a family trudges through an ash-strewn landscape above. Reflective of the apprehension endemic to our times, Doyle’s works also communicate a timeless longing for the stability of home, hearth, and family.

Check out the piece below and several others at LaBasse Projects.

Proxy by Thomas Doyle

Via.

♦ Jo Walton finishes her reflections on Ursula K. Le Guin’s Earthsea books with The Other Wind over at Tor.com. She also discusses Pamela Dean’s Secret Country trilogy, which I read as a teenager—and she also mentions there’s another book in the series due out in 2013, so happy news for fans. As much as I loved the Secret Country books, none of them hold a candle—for me—to Dean’s Tam Lin, which I thought was a beyond wonderful reworking of the ballad. I prefer the original Tom Canty cover art (at left) to the artwork on the in-print edition, but that shouldn’t stop you from reading this great book.

Bullshot by Brad Rader

Super Punch previewed some of the newest Battle Babies toys made by Brad Rader and available on Etsy. I think these Battle Babies (like Bullshot, above) are freaky cool. Click through to see some of the other designs and for links to the Etsy store where you can buy your own.

♦ I’ve been enjoying the printed ink tumblr, which features images of “scanned pages of books, or of typed prose/poetry,” like the image at left. Readers of the tumblr are encouraged to submit their own images.

♦ The inimitable Jess Nevins posted on his tumblr the following thought from T.S. Eliot about writing: “Each venture is a new beginning, a raid on the inarticulate with shabby equipment always deteriorating in the general mess of imprecision of feeling.

♦ I thought Cameron might enjoy io9’s post about Totally Insane Posters for Movies You May Never Get to See. “Insane” is right. Then cleanse your movie-poster palate here.

Weird Fiction Review has a great interview with the great Tanith Lee.

♦ The interwebs have been a flutter this week about the trailer for Snow White and The Huntsman, due out next summer. Charlize Theron dominates the trailer and makes Kristen Stewart starkly unbelievable as the one “destined to surpass” the Queen as the fairest of them all. I’ll reserve judgment about the film, but I have to say that I am totally in love with this trailer (if nothing else, the movie will look cool):


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Guy Gavriel Kay’s Ysabel

I had been eager to read Ysabel by Guy Gavriel Kay (Roc-Penguin, 2007; all quotations are taken from this text), which won the 2008 World Fantasy Award for Novels, and indeed to read any book by Kay, who’s been highly recommended to me, particularly for his historical fantasies. What I’ve decided to focus on in this post is what I learned from Ysabel and from Kay at the plot- and characterization-level, as well as Kay’s use of an archetype I had previously worked with in a short story, where two men vie for the same woman. Warning: Spoilers to follow.

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Magpie Monday

Here are some shiny things that caught my eye recently:

♦ In Wales, Simon Dale built his family a lovely Hobbit house into the side of a hill for only £3,000 (about $4,800 USD). Pretty impressive, considering the budget and the fact that Dale had no previous building experience. Via.

Chet Phillips describes this cool, weird house thus: “Constructed from cardboard, papier mache, paints, glass and metal, this house sculpture by Russian artist EkaKaramelka had me doing a double take.” The link in the quotation will take you to EkaKaramelka’s Etsy site, where he sells his “decorative interior houses.”

♦ At The Guardian, Rachel Cooke offers a list of the ten best graphic novels. It’s a good list, and I’m happy to say I’ve read all of the books on it, but I’m not sure these books are the “best” graphic novels. Do you agree with Cooke’s list? What would you add or delete?

♦ Over at Tor.com, Jo Walton continues her reflections on Ursula K. Le Guin’s Earthsea series with Tales from Earthsea, a collection of short stories, in “What Everyone Knows is True Turns Out to Be What Some People Used to Think.

♦ Also over at Tor.com, you can read Tim Hall and Dean Haspiel’s new webcomic, The Last Mortician, which is recommended. Here’s the official description:

Acclaimed writer Tim Hall and Eisner-nominated and Emmy-winning cartoonist Dean Haspiel bring us a stark vision of a future in which one of humanity’s oldest professions is no longer essential. What might bring about such a world, and what might happen to the practitioners of this ancient art?

What kind of world no longer needs someone to tend to their dead?

♦ Ann and Jeff VanderMeer launched Weird Fiction Review this week, described as

an ongoing exploration into all facets of the weird, from the classics to the next generation of weird writers and international weird. Reviews, interviews, short essays, comics, and occasional fiction.

I’m pretty happy about the site, not least of which is because two of my favorite writers—Neil Gaiman and Kelly Link—were interviewed this week. Also, my friend Adam compiled a list of first lines of the stories collected in The Weird, which certainly made me want to read the compendium (on its way to me now, I hope). Adam wrote a post about collecting those lines on his own blog; I enjoyed his list of his favorites among those first lines and why he thought they were effective.

♦ io9 wants you to know things, like a simple test to determine if someone’s been dead for more than twelve hours. Useful information, people.

♦ For CBC: this Henry Rollins Tattoo Whiteboard cracked me up. Via.

♦ Running low on monster supplies post-Hallowe’en? Hoxton Street Monster Supplies now has an online store for your convenience. Via.

♦ My friend Andy sent me the link to this spectacular video by Sophie Windsor Clive of a murmuration of starlings:


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Catherynne M. Valente’s The Orphan Tales, Vol. 2

What follows is the second of two  posts about Catherynne M. Valente’s duology, The Orphan’s Tales, wherein I discuss her style. Valente’s earliest published work was poetry, followed by short novels that might have been considered prose-poetry, given their density of language, and then came The Orphan’s Tales, which demonstrate a poet’s use of language. In the Cities of Coin and Spice (Bantam Spectra, 2007; all quotations are taken from this text), the second volume of that duology, intrigued me with its two types of style: poetic (particularly her choices of diction and syntax) and allusive. Warning: Spoilers to follow.

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