Magpie Monday

F. Scott Fitzgerald said, “Life starts all over again when it gets crisp in the fall.” Here are some shiny, crisp things that caught my eye recently:

♦ Irene Gallo curated an awesome autumnal gallery, Picturing Autumn, An Equinox Celebration, last week (sadly, the last of her “odes to the season” series), saying of the new season, “It’s a complicated and beautiful season—mixing a desperate need to soak in the last bits of sunlight, an ostentatious display of color, and the warmth of the coming holidays with a sense of loss and decay, foreboding…and magic. The spirits come out in fall and we transition from being outdoor people into an introspective, interior mindset.” So many wonderful pieces of art! I spent a long time trying to decide on a favorite or two, and even then I wanted to share all of them. Please go look at the gallery!

The first of my two favorites is Melisande (1895) by the Austrian painter Marianne Stokes (1855-1927). Gallo points out the detail in the arms, which is lovely, but I also love the expression and pose of the young woman, a kind of wistful resignation, and the way her gown has fallen into the water. I can tell myself a story about her.

The second is The Faun (1923) by Carlos Schwabe (1866-1926), a German Symbolist painter. This painting always grips me, something about the light and the faun’s contained energy, about the posture which is both sacred and profane, the irresistible  curvature of the horns. I am tantalized and afraid at the same time.

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Video Friday

Today’s videos are two sweet cartoons. Go ahead, try and tell me you aren’t charmed by them!

First up is One Day, another film out of GOBELINS in Paris made by students Joel Corcia, Bung Nguyen, Thomas Reteuna, Laurent Rossi, and Bernard Som.  The official description: “One man always on the move will have an encounter that puts into question everything he knows.” Very cryptic but quickly explained. I wish I had a house like that. And, in case you don’t read French, rien à faire means “nothing to do.”

The Colors of Evil is another student film, this time out of Ringling College of Art and Design, made by Alyse Miller and Phillip Simon. If only all demon-summoning was so adorable! 

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Magpie Monday

Here are some shiny things that caught my eye recently:

Ransom & Mitchell take some of the most elaborate, magical, and wild photographs I’ve ever seen. Their photography (and film work) is housed in the intricate sets they create, and it doesn’t seem as if anything’s been left undone in the creation of these portraits. The duo consists of Stacey Ransom (a set designer and photo-illustrator) and Jason Mitchell (a director-photographer). Their first solo show, Smoke & Mirrors, opened last week at Varnish Fine Art in San Francisco, and I wish I could see it.

Portrait of artist Scott Musgrove, “The Last Good Man” by Ransom and Mitchell (2012)

On her blog, Ransom posts the following about Smoke & Mirrors (click through, please—that post is full of images and behind-the-scenes shots):

Through a combination of cinematic lighting, theatrically-designed sets, and an illustrative approach that is inspired by the Italian and Dutch Master painters, we aim to create worlds that cannot exist (and quite possibly shouldn’t).

We hope our images blur the lines between traditional photography and classical painting so our viewers will be unsure as to what is “real” and what we created either as sets & props or as digital painting.

In our show “Smoke & Mirrors,” we are presenting two unique bodies of work, consisting of fourteen cinematically themed tableaus, twenty seven artist portraits and two short films. For our narrative pieces, we have combined epic scenes of lush grandeur with uncomfortable emotional themes that address issue of obsession, consumption and longing.

For our portraiture, we have sought to tell personalized stories about each artist and filled their scenes with clues about their inner truths.

Wreckage by Ransom and Mitchell (2012)

Via.

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Video Friday

Several wonderful cartoons for you today! This CGI-animated short is crazy fun: The Butterfly Effect by Passion Pictures (directed by Dan Sumich)

Via.

For something a bit calmer, try In-Between by De Alice Bissonnet, Aloyse Desoubries Binet, Sandrine Hanji Kuang, Juliette Laurent, Sophie Markatatos, all of who are third-year students at GOBELINS in Paris (no, I’m afraid I don’t know why the name is in all caps). The official description:

A young woman is followed by a crocodile who represents her shyness. As he makes her life a living hell, she tries every means to get rid of him.

Via.

And for your daily dose of odd, here’s All Consuming Love by Louis Hudson (co-written by Hudson and Ian Ravenscroft). The official description: “A tiny man living inside a cat gets into a sticky love-triangle.” Yes. Yes, he does.

Here’s an interview with Louis Hudson about All Consuming Love, where you can find out a lot more about the film.

Via.

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Magpie Monday

Here are some shiny things that caught my eye recently:

♦ I came across Kris Kuksi‘s elaborately detailed sculptures about two years ago, and for some reason unknown even to me I didn’t do any further research on him. Clearly, I’d gone mad, as I’m a nut for sculptural art, and Kuksi’s mythological-themed sculptures are definitely my cup of tea (he also paints and draws). If I had done a little more research then, I would have discovered he published a book of his work in late 2010 titled Divination & Delusion (and, yes, I ordered a copy as soon as I saw it). Below is one of the many, many Kuksi pieces I like (you’re really going to want to click and see it larger—you’ll thank me!):

The Visitation by Kris Kuksi

Here’s the book description:

Kris Kuksi’s sculptures, rendered in immaculate detail, evoke a grandeur reminiscent of the Baroque era. Kuksi successfully merges this sumptuous echo of the past with a satirical and critical commentary of our modern industrial world. These finely crafted sculptures employ images of Gods and Goddesses from past and present mythologies and examine religious belief and iconography. Despite the frequent portrayal of corruption, violence, chaos and degeneration, the works in this book challenge aspects of our beliefs and question whether or not humans have the ability to improve the world’s prosperity.

Be sure to click the links above to see more examples of Kuksi’s work. (Reminded via.)

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